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Parades
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These images were imagined to be presented in urban JCD billboards (Jean-Claude Decaux). They show the body of the life-size artist pressing compositions of colored objects as diverse as curious against an invisible window. The series forms a set of living paintings in which the artist seems to have interfered in the narrow and constrained space of the advertising panel, like an intruder in contemporary public and commercial space. The title of this series is a nod to the monumental painting by Gustave Courbet entitled "Bonjour Monsieur Courbet" showing the painter advancing on a path to meet his patron. The sense of address is reversed here and the perspectives closer. The images exist in the form of posters in 120 x 176 cm format, but can also be framed and presented under glass.

Read the interview given to Marion Roy on the occasion of the exhibition at LAAC Dunkerque in 2022-23 (in french)

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Parades (ou Bonjour Monsieur Jean-Claude)

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Parades (ou Bonjour Monsieur Jean-Claude)

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Parades (ou Bonjour Monsieur Jean-Claude)

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Parades (ou Bonjour Monsieur Jean-Claude)

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Parades (ou Bonjour Monsieur Jean-Claude)

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Parades (ou Bonjour Monsieur Jean-Claude)

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Parades (ou Bonjour Monsieur Jean-Claude)

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Parades (ou Bonjour Monsieur Jean-Claude)

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Exposition "Dedans-Dehors", Cambrai, 2018

Vue d'une affiche placée dans un panneau publicitaire


Parades
Comme de longs échos qui de loin se confondent

Vue d'exposition au LAAC à Dunkerque avec les oeuvres de Jean Dewasne. 2022-23


Parades
Comme de longs échos qui de loin se confondent

Vue d'exposition au LAAC à Dunkerque avec les oeuvres de Jean Dewasne. 2022-23


Parades
Comme de longs échos qui de loin se confondent

Vue d'exposition au LAAC à Dunkerque avec les oeuvres de Jean Dewasne. 2022-23


Parades
Comme de longs échos qui de loin se confondent

Vue d'exposition au LAAC à Dunkerque avec les oeuvres de Jean Dewasne. 2022-23


Parades
Comme de longs échos qui de loin se confondent

Vue d'exposition au LAAC à Dunkerque avec les oeuvres de Jean Dewasne. 2022-23



These images were imagined to be presented in urban JCD billboards (Jean-Claude Decaux). They show the body of the life-size artist pressing compositions of colored objects as diverse as curious against an invisible window. The series forms a set of living paintings in which the artist seems to have interfered in the narrow and constrained space of the advertising panel, like an intruder in contemporary public and commercial space. The title of this series is a nod to the monumental painting by Gustave Courbet entitled "Bonjour Monsieur Courbet" showing the painter advancing on a path to meet his patron. The sense of address is reversed here and the perspectives closer. The images exist in the form of posters in 120 x 176 cm format, but can also be framed and presented under glass.

Read the interview given to Marion Roy on the occasion of the exhibition at LAAC Dunkerque in 2022-23 (in french)